original
Artwork
Portfolio
This collection showcases original artwork that captures emotion, nature, and everyday life through vibrant colour, texture, and form.
Featuring contemporary paintings, mixed-media pieces, and experimental works, each creation is thoughtfully crafted to offer a unique perspective and a sense of presence in any space. Whether exploring abstract expression or detailed landscapes, the portfolio highlights originality, creativity, and artistic vision, making it a source of inspiration for collectors, art enthusiasts, and interior spaces alike.
Prey | 2026
Acrylic on Canvas | 40 × 40 cm
Prey is a textured work inspired by the instinctive behaviour of prey animals such as rabbits and hares. Four rabbits are arranged in a circular formation, their movement conveying a sense of constant vigilance and restless energy.
The composition reflects the tension and unease that characterise the lives of animals whose survival depends on remaining alert.
The piece explores texture and pattern while deliberately restricting the colour palette and level of detail. This reduction allows the viewer's attention to remain on the movement, rhythm, and emotional atmosphere of the composition, emphasising the themes of instinct, vulnerability, and perpetual motion.
20 × 20 Series
Working at this scale encourages a more instinctive approach, where colour, texture, and form can evolve freely across the surface. Blending botanical elements, anatomical references, and abstract mark-making, the works form layered compositions that sit between observation and imagination. Each painting develops organically, guided by gesture, repetition, and subtle shifts in colour.
These small-scale original artworks explore the relationship between structure and fluidity, often blurring the boundaries between the human and the natural. Each piece is a one-of-a-kind original painting, forming part of an ongoing exploration within my wider body of contemporary painting.
Thanatos Embraces | 2026
Thanatos Embraces explores the finality of death and the uncertainty of what lies beyond it. The title references the Greek personification of peaceful death, reflecting a view of death not as cruel or frightening but as gentle, inevitable, and compassionate.
The composition features a female figure carrying a sleeping child, surrounded by ghostly silk moths and red Japanese chrysanthemums. These traditional symbols of death, transformation, and mourning are presented not to evoke fear, but to suggest that death is a natural part of life.
Rather than portraying death as an evil or terrifying force, Thanatos Embraces presents it as a mother's embrace; familiar, soft, and reassuring. The work invites the viewer to reconsider mortality as an experience of peace, tenderness, and acceptance, offering an alternative perspective on one of humanity's oldest fears.
ABUNDANCE (2026), Oil on Canvas, 11.8 × 15.7 in / 30 × 40 cm
Abundance explores the vitality of marine life through vibrant colour and layered texture. Tropical fish and pearl oysters form the central imagery. Their contrasting tones create a dynamic visual tension; bright, kinetic movement against the quieter, iridescent stillness of the shells.
The richness of oil paint allows for luminous colour depth and expressive, tactile brushwork, enhancing the sense of organic abundance and underwater energy.
INDULGENCE (2026), Acrylic on canvas, 8 × 12 in / 20 × 30 cm
Indulgence celebrates the rich colours and textures of figs and pomegranates. The composition explores light, form, and depth, highlighting the natural beauty and sensuality of the fruits.
Layered brushwork and vibrant tones create a tactile, inviting quality, making this still-life a striking example of contemporary original artwork.
RECKONING (2026), Acrylic on canvas, 10 × 12 in / 25.4 × 30.5cm
Reckoning explores the tension between beauty and survival. Loose, expressive brushwork captures movement and energy, while the contrast between softness and aggression reflects the delicate balance that exists within nature.
Both tranquil and unsettling, the painting invites viewers to consider the quiet brutality that often exists beneath moments of beauty.
AS IT WAS (2026), Acrylic on canvas, 20 × 24 in / 50.8 × 60.9 cm
As It Was explores cool blue tones and dramatic contrasts of light and shadow to evoke a sense of memory and absence.
Expressive brushwork and softened edges create depth and atmosphere, while subtle red accents introduce an underlying emotional tension. The piece reflects on the traces people leave behind, balancing intimacy with stillness in a contemporary figurative setting.